The Vacant Man
(Continued: After Sam Slashes Wrist)
http://bmkold.ipfox.com/index.html
6 February 1999
Section B11: SWF Finds Squalid Bachelor Pad
(From: Monica Scavenger)
The doorbell rang. The key was fitted into the lock. The door was being opened. “Sam?” Her voice was floating up the stairs, but it was landing on unresponsive ears. She closed the door behind her and turned to face the mirror in the entry hall, adjusting the silver ankh on the chain around her throat. She slowly ascended the stairs. “Sam?” she called out again, louder now, “did the mail come yet?”
The foyer floor was littered with cardboard boxes and papers and photographs scattered everywhere. She hiked up her skirt with one hand and climbed over them, and, stepped through the kitchen door.
Then she saw the pool of blood. Unmistakable. She covered her mouth and gagged.
“NO!” came out as an exhale, and then a roar from her chest as she lunged forward slipping and almost falling on the slimy mess of Sam’s final chef d’oeuvre. When she found Sam slumped against the cabinets on the floor, she grabbed his arm where the blood was still slowly running from a gash and pulled it up over his head. Next she pulled off her long black leather boots and shimmied out of her pantyhose and tied the legs tightly in a tourniquet around Sam’s upper arm. She then tied his arm to a cabinet door.
She quickly grabbed the phone and pressed some buttons. She held the receiver up to her ear. No dial tone. She picked up the body of the old Princess to find a tarantula of wires and guts hanging from the bottom.
She reached into her skirt pocket and produced a cell phone. She pulled out the antenna and punched three buttons. “Yes. I have someone who is cut very badly… I don’t know. I just got here . . . . 715 Crawfish Terrace . . . . No, NO, just send someone right now PLEASE!” And she slammed the phone down and straddled over Sam.
“You fucking asshole! You selfish . . . SELFISH jerk!” Lisa had thought these words many times during the last year she and Sam had been together, but had censored them. This time, though, it was possible she was going to have the final say. It didn’t seem like he was going to argue. If he could hear, he would have no choice but to listen for a change. “DAMN YOU!” She screamed, and then, ”Oh, no, no, no… I don’t mean that, please god, I take that back. But, you MOTHERFUCKER!!!!”
And then she lay down next to him, put her arm around his waist and found his other hand with the knife still in it. By now she was sobbing, with tears and snot running down her face and her mouth was a swampy hole of slimy mucus. Her hair stuck to her face and her cheeks were black with smeared mascara.
First she put her fingers to his wrist. But she could find no pulse. Next she dislodged the knife from his digits and took the handle into her own hand. She knelt up over him. She pointed the knife to his heart and pressed it into his black T-shirt. “This is the way it always was! This is the why everything! You can’t even get into your OWN life, now; maybe you SHOULD have stepped into mine once in awhile!”
And then she turned the knife around, turned the blade against her throat, took a handful of her long, flaming red hair and vigorously began to saw it off.
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Does Lisa merely give herself a bad haircut? Go to Section B111 |
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Does Lisa plunge the knife into her throat? Go to Section B112 |
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Does Lisa make love to Sam's corpse? Go to Section B113 | ![]() |
Does Lisa wait for the ambulance, making a snack while she waits? Go to Section B114 | ![]() |
Does Lisa begin to clean up the mess? Go to Section B115 | ![]() |
Does Lisa leave Sam and the apartment, not knowing if he lives or not? Go to Section B116 | ![]() |
Does Lisa begin making phone calls to find a bargain for Sam's funerary costs? Go to Section B117 | ![]() |
Does Lisa begin packing all Sam's good and expensive items into two suitcases? Go to Section B118 |
Section B12: Barbara Enters
(From: Diana Cramer Suk -- http://victorian.fortunecity.com/milton/434)
Barbara Casale stands outside her two-story, red brick building, looking up at the front window of the left upstairs apartment, her delicate white brows furrowing her unusually smooth forehead into a worried frown. Fit and active despite her seventy years, she has been working since shortly after lunch on the container garden she created on the tiny terrace outside the sliding glass doors by the dining area of her ground floor apartment. Time spent among the assortment of pots filled with a variety of fragrant blooms and foliage usually infuses her with a sense of peace and contentment, but today she is having a hard time losing herself in the hobby that has brought so much living beauty into her life. Distractedly, she runs a hand through her soft, white curls, leaving behind traces of peaty soil from the transplanting of a root-bound hibiscus.
Barbara moved to this garden apartment complex three years ago, after the death of her husband of forty-seven years, when she realized she had neither the energy nor the inclination to maintain by herself the spacious Colonial they had shared for so long. Reserved by nature, she has never gotten to know most of her neighbors here, but she is quite fond of the young couple in the left upstairs apartment in her building, Sam and Lisa.
She has always enjoyed the sight of them walking, holding hands, fingers interlocked, or arms encircled about each other's waist. Lisa so lovely, with her long, flaming curls and luminous green eyes; Sam such a striking contrast, standing half a head taller, with long dark hair and light brown eyes. Their anachronistic beauty appeals to Barbara's secretly romantic soul. They remind her of figures on a medieval tapestry; a knight and his lady. Their youth and passion always make her smile nostalgically and remember herself and her dear Frank.
Both Sam and Lisa have always been kind to Barbara. They always smile and greet her when they see her, and on several occasions one, the other, or both of them have helped her carry her bags of groceries from the parking lot to her kitchen counter. Afterward, she has provided tea for Sam or coffee for Lisa, and enjoyed chats with both.
Today, however, something is very wrong. A couple of hours ago, Lisa stalked out of the building. Barbara's friendly greeting died on her tongue as she took in the determined set to Lisa's chin, her clenched jaw, the unmistakeable traces of tears, all of which proclaimed she did not want to be approached. For the first time since they met, Lisa did not greet her neighbor. Didn't even make eye contact. Just kept striding purposefully past her, tightly gripping the handles of a beat-up duffel bag. "They've had a spat", Barbara had thought to herself. Young love; such a roller coaster ride!
While she pruned, transplanted and fertilized, Barbara had waited expectantly for Sam to come bursting out of the apartment in pursuit of his lady. But he hadn't come down. Things had been quiet for the first twenty minutes or so after Lisa left, then from the open window Barbara heard a seemingly endless crashing and clattering. Barbara is very concerned about her young friend.
She had thought about going up and knocking on his door to try to calm him, but hesitated when she remembered a doozy of a fight she and Frank had a couple of years into their marriage. She had fled to her mother's, and Frank had vented his anger and pain on their possessions, damaging the majority of them beyond repair. Once they reunited, after realizing they simply couldn't be without each other, Frank had confided that when he'd been in that destructive rage, Mother Theresa herself could have come to his door, and he would have punched her face in. So Barbara had decided to wait at least until the commotion stopped.
It has been quiet up there for about fifteen minutes, and Barbara has been trying to work up the nerve to knock on Sam's door and be there for her young friend. She sweeps dead leaves and flowers into a tidy little heap while she tries to work up the nerve. Gradually, she becomes aware of an odor that sends a chill through her. Something is burning.
Dropping her broom, Barbara runs into the building and races up the stairs. She pounds on Sam's door yelling, "Sam! Sam!" No response. She tries the knob, opens the unlocked door, and stops for a shocked second, taking in the destruction in the kitchen that is visible even from the entry.
Characteristically unflappable in an emergency, Barbara recovers herself. She whips out her scented cotton handkerchief from the pocket of her slacks and holds it over her mouth and nose to protect them from the smoke emanating from the kitchen. Running into the kitchen, she spots Sam's unconscious body slumped on the floor against a cabinet. Moving quickly to his side, she takes in the wicked slashes on his hand and wrist, the pool of blood on one side of his body, the heart with the name Lisa drawn in blood on the other side. Placing her index and middle finger on his pale neck, she feels for his corotic artery and a sign of life. The pulse is faint, but definately there. She takes a deep breath and hold it, stuffs her hanky back into her pocket and pulls Sam away from the cabinet. Standing behind him, she maneuvers her forearms under his armpits and drags him out of the kitchen, across the parquet floor of the living room to the landing outside his door. She braces his body against her legs and holds him with one hand while she slams the door on the rapidly growing smoke and flames with the other.
She gasps the clearer air into her bursting lungs, and wonders how she is going to get Sam downstairs to safety all by herself, when thankfully, she hears the vestibule door open and the familiar, heavy tread of Bob the mailman. "Bob!" she screams. "Up here! Help!"
She hears a thud as the burly young man drops his mailbag. In a moment he is at the landing. Effortlessly, he swings Sam's limp body, still trickling blood from his mutilated hand and wrist, over his shoulder. He calls out behind him as he disappears down the stairs, "Call 911!" Silently thanking her creator for Bob's deus ex machina appearance, Barbara runs down the stairs and enters her own apartment, dashing for the cordless phone on her coffee table.
She presses the numbers frantically. A crisp female voice answers immediately, "911. What's your emergency?" Barbara blubbers out that her neighbor has set his apartment on fire and slashed his wrist, and is now unconscious but still alive, as far as she can tell. The efficient voice on the other end of the line tells her, "Calm down, ma'am. Stay on the line. I'm dispatching an ambulance and the fire department right away."
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Does Barbara manage to calm down? Go to Section B121 |
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Does Barbara have an anxiety attack? Go to Section B122 |
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Do the batteries on the cordless phone run out before the operator returns? Go to Section B123 |
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Does the agrophobic neighbor in the right upstairs apartment get out safely? Go to Section B124 |
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